But most commonly, it's one poem that I work on with a lot of intensity.
Philip LevineRead
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
Interpretation
Surround yourself with like-minded individuals who share your passion for poetry, and persist in your craft until you create meaningful work.
In this quote, Philip Levine emphasizes the importance of connecting with others who share your love for poetry. He advises poets to strive for authenticity and quality in their own work, encouraging them to continue honing their craft until they produce pieces that they can be proud of, regardless of the external validation they may receive. Ultimately, this approach may lead to unexpected success and appreciation for their art.
In practice
A mentor sharing these words with a budding poet at a workshop.
But most commonly, it's one poem that I work on with a lot of intensity.
I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
Art is the only serious thing in the world. And the artist is the only person who is never serious.
When I grew up, what was interesting for me was that music was color and life was gray. So music for me has always been more than entertainment.
We live in capitalism, and capitalism is defined by the production line, and the production line is defined by specificity. If you see yourself as an artist, which I do, then you can't be limited by that. You can't let somebody tell you, 'Well, you can only draw this kind of picture or write that kind of book.'
I want you to see me naked and performing one or two dozen mad acts, which will take me less than half an hour, because if you have seen them with your own eyes, you can safely swear to any others you might wish to add.
Art is action. The way I live my life to its highest degree is by writing, the practice of art.
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