Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
Rem KoolhaasRead
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
Interpretation
Japan's contrasting aesthetics heighten the impact of beauty amidst minimalism and imperfections.
In this quote, Rem Koolhaas reflects on the unique cultural aesthetics of Japan, where there is a stark contrast between different qualities—beauty, ugliness, and the mundane. He suggests that the scarcity of beauty, particularly in an environment filled with the ordinary and unattractive, makes instances of beauty far more remarkable and surprising, thus creating a distinct appreciation for the sublime in the Japanese context.
In practice
In an art history lecture discussing Japanese aesthetics.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.
The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
Architecture is a dangerous mix of power and importance.
We live in an almost perfect stillness and work with incredible urgency.
The City is an addictive machine from which there is no escape
I always have a basic plot outline, but I like to leave some things to be decided while I write.
Good design is thorough down to the last detail - Nothing must be arbitrary or left to chance. Care and accuracy in the design process show respect towards the consumer.
I am the literary equivalent of a Big Mac and fries.
There were three of us; Witkiewicz, Bruno Schulz, and myself--the three muskateers of the Polish avant-garde between the wars. Only Witkiewicz remains to be discovered.
Intolerance respecting other people's religion is toleration itself in comparison with intolerance respecting other people's art.
As long as the world continues to be strange and interesting, I still want to take pictures of it.
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