Jazz stands for freedom. It's supposed to be the voice of freedom: Get out there and improvise, and take chances, and don't be a perfectionist - leave that to the classical musicians.
Interpretation
Jazz embodies freedom and encourages creativity through improvisation.
Dave Brubeck highlights that jazz music symbolizes freedom and individuality. Unlike classical music, which often adheres to strict rules and perfection, jazz allows for personal expression, improvisation, and taking risks, reflecting the essence of artistic liberty.
In practice
In a speech about artistic freedom, one might quote Brubeck to emphasize the importance of creativity.
One of the reasons I believe in jazz is that the oneness of man can come through the rhythm of your heart. It’s the same anyplace in the world, that heartbeat. It’s the first thing you hear when you’re born — or before you’re born — and it’s the last thing you hear.
When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
I knew even if I'm a cowboy, I'm going to be involved in jazz in some way.
What I want to happen is to be really creative, and to play something new in the improvisations, every time.
Many people don't understand how disciplined you have to be to play jazz... And that is really the idea of democracy - freedom within the Constitution or discipline. You don't just get out there and do anything you want.
I’m beginning to understand myself. But it would have been great to be able to understand myself when I was 20 rather than when I was 82.
The most watched programme on the BBC, after the news, is probably 'Doctor Who.' What has happened is that science fiction has been subsumed into modern literature. There are grandparents out there who speak Klingon, who are quite capable of holding down a job. No one would think twice now about a parallel universe.
I put steam on the table by being an actor. That is how I live. The longer I live, the more expensive it becomes. So I do my work. And I can't be immensely picky. How many beautiful scripts come in one's lifetime? I have had more than anybody, practically.
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
Books are seldom useful unless they are also beautiful.
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