There is no feeling, except the extremes of fear and grief, that does not find relief in music.
T. S. EliotRead
The last thing one discovers in composing a work is what to put first.
Interpretation
This quote highlights the difficulty of deciding the order in which to present creative ideas.
T. S. Eliot's quote reflects the complexity and nuances involved in the creative process, particularly in art and writing. It suggests that the final decisions about the arrangement of elements in a work often come only after the creative process is nearly complete, emphasizing the importance of careful consideration and thoughtfulness in presenting ideas effectively.
In practice
In a speech about the challenges of the creative process, one might say, 'As T. S. Eliot noted, the last thing one discovers in composing a work is what to put first.'
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them allβ Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
In the faint moonlight, the grass is singing
Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
...few young poets [are] testing their poems against the ear. They're writing for the page, and the page, let me tell you, is a cold bed.
And yet, in a culture like ours, which is given to material comforts, and addicted to forms of entertainment that offer immediate gratification, it is surprising that so much poetry is written.
The only thing I really wanted was the freedom to be able to get what I want on film. Iβve dealt with the MPAA since 1973, so I know how to renegotiate and rework.
Playwriting is the last great bastion of the individual writer. It's exciting precisely because it's where the money isn't. Money goes to safety, to consensus. It's not individualism.
Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself.
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