What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
George Bernard ShawRead
In literature the ambition of the novice is to acquire the literary language; the struggle of the adept is to get rid of it.
Interpretation
Novice writers focus on mastering literary language, while experienced writers strive for simplicity.
George Bernard Shaw emphasizes the evolution of a writer from a beginner to an expert. Initially, new writers are eager to learn and adopt intricate literary styles, viewing complexity as a mark of sophistication. However, as they gain experience, they realize that effective communication often lies in simplicity and clarity, shedding unnecessary embellishments to convey their thoughts more powerfully.
In practice
In a writing workshop, when discussing techniques, you could quote Shaw to highlight the importance of evolving style.
What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
Marriage is good enough for the lower classes: they have facilities for desertion that are denied to us.
Forgive him, for he believes that the customs of his tribe are the laws of nature!
Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is?
Treat a friend as a person who may someday become your enemy; an enemy as a person who may someday become your friend.
The happiness of credulity is a cheap and dangerous quality.
If we can't stamp out literature in the country, we can at least stop its being brought in from outside.
As I look back, I feel a touch of pride at my younger self's dedication to literature, which gave him the strength of mind to resist the blandishments of the enemies of promise. The sirens of ad-land sang sweetly and seductively, but I thought of Odysseus lashing himself to the mast of his ship, and somehow stayed on course.
Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
It is not the voice that commands the story: it is the ear.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
A great age of literature is perhaps always a great age of translations.
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