As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
Interpretation
The quote reflects the deep fears of loss and the consequences of one's actions, particularly in relation to family and loved ones.
Phoebe Waller-Bridge expresses a profound vulnerability in her writing, revealing that much of her work is rooted in her fears of losing significant people in her life, like her mother or best friend. This fear drives her to explore themes of loss, broken relationships, and the weight of unforgivable actions, highlighting how personal experiences shape her artistry and emotional expression.
In practice
This quote can be used in a speech about the importance of cherishing loved ones.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You don't often see a cross section of female characters interacting with each other at the top of a chain.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
I feel liberated being around women who are liberated.
Time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is-in the blink of an eye, a mother can see the child again as they were when they were born, when they learned how to walk, as they were at any age-at any time, even when the child is fully grown or a parent themselves.
I know my father and my mother, but beyond that I cannot go. My ancestry is blurred.
My problem was my inability to spend much time at home. I thought my family was secure, so I went running around everyplace else. I guess I had more of an effect on other people's kids than I did my own.
Grandmotherhood initiated me into a world of play, where all things became fresh, alive, and honest again through my grandchildren's eyes. Mostly, it retaught me love.
My mother's face floated to mind, a pale, reproachful moon, at her last and first visit to the asylum since my twentieth birthday. A daughter in an asylum! I had done that to her. Still, she had obviously decided to forgive me.
Perhaps the greatest social service that can be rendered by anybody to the country and to mankind is to bring up a family.
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