As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
Interpretation
Engaging an audience is crucial in performance; losing their interest is a serious misstep.
This quote highlights the importance of captivating an audience when performing or presenting. While it may be acceptable to have a casual, unengaging interaction with friends and family, failing to engage an audience during a performance is considered a significant failure, emphasizing the responsibility of entertainers to keep their audience's attention.
In practice
A speaker could use this quote when starting a presentation to emphasize the importance of engaging the audience.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You don't often see a cross section of female characters interacting with each other at the top of a chain.
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
I feel liberated being around women who are liberated.
Part of the role of photography is to exaggerate, and that is an aspect that I have to puncture. I do that by showing the world as I really find it.
My sense of style is influenced by how I feel. I want to express myself because they see you before they hear you. You want to come on stage, and what you look like should represent the song you are playing or the set you are about to play or the message in your music.
The important thing is not the camera but the eye.
But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.
I like simplicity. I like using natural sources. I like images to look natural - as though somebody sitting in a room by a lamp is being lit by that lamp.
In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
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