If I could tell you what it meant, there would be no point in dancing it
Isadora DuncanRead
Man must speak, then sing, then dance. The speaking is the brain, the thinking man. The singing is the emotion. The dancing is the Dionysian ecstasy which carries away all.
Interpretation
This quote emphasizes the progression of human expression from thought to emotion to pure joy.
Isadora Duncan highlights the journey of human expression, suggesting that true communication begins with speech, evolves into emotional expression through singing, and culminates in the ecstatic freedom of dance. This progression symbolizes the importance of integrating intellect, feeling, and physical expression in art and life.
In practice
In a creative writing workshop, to inspire participants to express themselves fully.
If I could tell you what it meant, there would be no point in dancing it
The dancer of the future will be one whose body & soul have grown so harmoniously together that the natural language of the soul will have become the movement of the body.
A dancer, if she is great, can give to the people something that they can carry with them forever. They can never forget it, and it has changed them, though they may never know it.
Master technique, so that technique NEVER prevents you from dancing.
Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
I have only danced my life. As a child I danced the spontaneous joy of growing things. As an adolescent, I danced with joy turning to apprehension of the first realisation of tragic undercurrents; apprehension of the pitiless brutality and crushing progress of life.
Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life.
Writing poetry is such an intense experience that it helps to start the process in a casual or wayward frame of mind.
Politics in a literary work, is like a gun shot in the middle of a concert, something vulgar, and however, something which is impossible to ignore.
A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
Every grain of experience is food for the greedy growing soul of the artist.
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