Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
Natasha TretheweyRead
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions.
Interpretation
The quote reflects on how memory and history influence personal relationships and political choices.
In this quote, Natasha Trethewey identifies herself as an elegiac poet, suggesting that her work deals with themes of memory, race, and the weight of historical events. She emphasizes the complexity of grappling with our past and how it can affect our interactions with others and our decision-making in society, highlighting the interplay between personal and collective memory in shaping our identities and relationships.
In practice
A speaker discussing the impact of historical events on current social dynamics.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.
I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
For a long time, I've been interested in cultural memory and historical erasure.
Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
People always want to be on the right side of history; it is a lot easier to say, 'What an atrocity that was' then it is to say, 'What an atrocity this is.'
When there are no gas chambers, no barbed wire, and no concentration camps, many don't recognize the perpetration of new genocides and other targeted mass atrocity crimes because they may not look the same.
I do not feel that I am the product of chance, a speck of dust in the universe, but someone who was expected, prepared, prefigured. In short, a being whom only a Creator could put here; and this idea of a creating hand refers to God.
If more Africans had eaten missionaries, the continent would be in better shape.
Fortunately, the time has long passed when people liked to regard the United States as some kind of melting pot, taking men and women from every part of the world and converting them into standardized, homogenized Americans. We are, I think, much more mature and wise today. Just as we welcome a world of diversity, so we glory in an America of diversity -- an America all the richer for the many different and distinctive strands of which it is woven.
The world in which we live can be understood as a result of muddle and accident; but if it is the outcome of deliberate purpose, the purpose must have been that of a fiend. For my part, I find accident a less painful and more plausible hypothesis.
But night would come and with it the mountain moon and the lake would be moon - laned and I'd go out and sit in the grass and meditate facing west, wishing there were a Personal God in all this impersonal matter.
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