I think it was Milosz, the Polish poet, who when he lay in a doorway and watched the bullets lifting the cobbles out of the street beside him realised that most poetry is not equipped for life in a world where people actually die. But some is.
Interpretation
The quote suggests that true poetry must address the harsh realities of life, including death and violence.
Ted Hughes reflects on the idea that much of poetry fails to capture the raw and often brutal experiences of life, particularly those involving death and destruction. He references the Polish poet Milosz, who, during a moment of danger, understood that the essence of poetry should encompass the stark realities of existence, including the inevitability of death. This underscores the notion that art should confront trauma and truth rather than remain sheltered from it.
In practice
During a poetry reading to emphasize the importance of confronting life's realities.
...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.
The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain – and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.
Nobody wanted your dance, Nobody wanted your strange glitter, your floundering Drowning life and your effort to save yourself, Treading water, dancing the dark turmoil, Looking for something to give.
Haven’t you heard of the music of the spheres?” asked the dragon. “It’s the music that space makes to itself. All the spirits inside all the stars are singing. I’m a star spirit. I sing too. The music of the spheres is what makes space so peaceful.
You solve it as you get older, when you reach the point where you've tasted so much that you can somehow sacrifice certain things more easily, and you have a more tolerant view of things like possessiveness (your own) and a broader acceptance of the pains and the losses.
And the elephant sings deep in the forest-maze_x000D_ _x000D_ About a star of deathless and painless peace_x000D_ _x000D_ But no astronomer can find where it is.
Solomon, who was one of the Deity's favorites, had a copulation cabinet composed of seven hundred wives and three hundred concubines. To save his life he could not have kept two of these young creatures satisfactorily refreshed, even if he had fifteen experts to help him. Necessarily almost the entire thousand had to go hungry for years and years on a stretch. Conceive of a man hardhearted enough to look daily upon all that suffering and not be moved to mitigate it.
When all is said and done, and statesmen discuss the future of the world, the fact remains that people fight these wars.
It does not matter that only a few in each generation will grasp and achieve the full reality of man's proper stature-and the rest will betray it. It is those few that move the world and give life its meaning-and it is those few that I have always sought to address. The rest are no concern of mine; it is not me or "The Fountainhead" that they will betray: it is their own souls.
It is prima facie highly implausible that life as we know it is the result of a sequence of physical accidents together with the mechanism of natural selection. We are supposed to abandon this naïve response, not in favor of a fully worked out physical/chemical explanation but in favor of an alternative that is really a schema for explanation, supported by some examples. What is lacking, to my knowledge, is a credible argument that the story has a nonnegligible probability of being true.
The forms are evanescent; but the spirit, being in the Lord and of the Lord, is immortal and omnipresent.
Distrust everything I say. I am telling the truth.
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