I think it was Milosz, the Polish poet, who when he lay in a doorway and watched the bullets lifting the cobbles out of the street beside him realised that most poetry is not equipped for life in a world where people actually die. But some is.
Interpretation
The quote suggests that true poetry must address the harsh realities of life, including death and violence.
Ted Hughes reflects on the idea that much of poetry fails to capture the raw and often brutal experiences of life, particularly those involving death and destruction. He references the Polish poet Milosz, who, during a moment of danger, understood that the essence of poetry should encompass the stark realities of existence, including the inevitability of death. This underscores the notion that art should confront trauma and truth rather than remain sheltered from it.
In practice
During a poetry reading to emphasize the importance of confronting life's realities.
...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.
The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain – and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.
Nobody wanted your dance, Nobody wanted your strange glitter, your floundering Drowning life and your effort to save yourself, Treading water, dancing the dark turmoil, Looking for something to give.
Haven’t you heard of the music of the spheres?” asked the dragon. “It’s the music that space makes to itself. All the spirits inside all the stars are singing. I’m a star spirit. I sing too. The music of the spheres is what makes space so peaceful.
You solve it as you get older, when you reach the point where you've tasted so much that you can somehow sacrifice certain things more easily, and you have a more tolerant view of things like possessiveness (your own) and a broader acceptance of the pains and the losses.
And the elephant sings deep in the forest-maze_x000D_ _x000D_ About a star of deathless and painless peace_x000D_ _x000D_ But no astronomer can find where it is.
I do not believe that any man fears to be dead, but only the stroke of death.
Among the friends of Union, there is great diversity of sentiment and of policy in regard to slavery and the African race among us.
We live by revelations, as Christians, as artists, which means we must be careful never to get set into rigid molds. The minute we begin to think we know all the answers, we forget all the questions and we become like the pharisee who listed all his considerable virtues, and thanked God that he was not like other men.
Try not to become a man of success, but a man of value. Look around at how people want to get more out of life than they put in. A man of value will give more than he receives. Be creative, but make sure that what you create is not a curse for mankind.
In this statement, my Scipio, I build on your own admirable definition, that there can be no community, properly so called, unless it be regulated by a combination of rights. And by this definition it appears that a multitude of men may be just as tyrannical as a single despot and indeed this is the most odious of all tyrannies, since no monster can be more barbarous than the mob, which assumes the name and mask of the people.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.
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