Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Nature in America has always been suspect, on the defensive, cannibalized by progress. In America, every specimen becomes a relic.
Interpretation
What this quote means
This quote reflects a concern about how nature in America is often neglected and exploited in the name of progress.
Susan Sontag's quote highlights a critical view of the relationship between nature and progress in America. It suggests that natural environments are frequently under threat from industrial development and modernization, leading to a situation where the natural world is viewed as something to be consumed or reclaimed rather than preserved. Every natural specimen is turned into a relic, symbolizing a loss of authenticity and the environmental degradation that accompanies relentless advancement.
Themes
In practice
Example use cases
In a discussion about environmental conservation efforts.
More from Susan Sontag
All quotes βScience fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Similar quotes
Third, there is value in any experience that exercises those ethical restraints collectively called 'sportsmanship'. Our tools for the pursuit of wildlife improve faster than we do, and sportsmanship is the voluntary limitation in the use of these armaments. It is aimed to augment the role of skill and shrink the role of Gadgets in the pursuit of wild things.
Relative to most of the energy and material flows on Earth, the machinations of humankind are puny. The planet's powers are much, much bigger than our own. But in a few sensitive places, we're making an impact on a planetary scale, and that impact is not a good one.
If we could feel what we are doing to the Earth, we would stop immediately.
The facts of nature cannot in the long run be violated. Penetrating and seeping through everything like water, they will undermine any system that fails to take account of them, and sooner or later they will bring about its downfall. But an authority wise enough in its statesmanship to give sufficient free play to nature - of which spirit is a part - need fear no premature decline.
Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and wonder surrounding him.
Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.