As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
His neigh is like the bidding of a monarch, and his countenance enforces homage. He is indeed a horse.
Interpretation
This quote conveys the majestic nature of a horse, comparing it to royalty and evoking respect from those who observe it.
In this quote, Shakespeare illustrates the nobility and elegance of a horse, suggesting that its presence commands admiration and reverence akin to that of a monarch. The description emphasizes not only the physical attributes of the horse but also the dignity and authority it embodies, reflecting broader themes of beauty, power, and the natural world in art and literature.
In practice
This quote could be used in a presentation about the role of animals in art and literature.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
I joyfully hasten to meet death. If it come before I have had opportunity to develop all my artistic faculties, it will come, my hard fate notwithstanding, too soon, and I should probably wish it later - yet even then I shall be happy, for will it not deliver me from a state of endless suffering?
If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
I love the entire ritual of getting dressed. When we do a fashion show, we try to send out a message; we couldn't do that without the hair and makeup. The whole is equal to the sum of its parts.
There's blood, a taste I remember. It tastes of orange popsicles, penny gumballs, red licorice, gnawed hair, dirty ice.
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