The idea comes to me from outside of me - and is like a gift. I then take the idea and make it my own - that is where the skill lies.
Johannes BrahmsRead
We cling nervously to the melody, but we don't handle it freely, we don't really make anything new out of it, we merely overload it.
Interpretation
The quote reflects on how we often stick to familiar patterns or traditions without innovating or creating something unique.
Johannes Brahms highlights the tendency of individuals to hold onto established melodies or ideas without altering them significantly. Instead of embracing creativity and producing something original, we often risk overcomplicating or saturating these ideas, which can prevent true artistic expression and innovation.
In practice
In a lecture about the importance of innovation in music, this quote could be used to illustrate how artists should strive for originality rather than comfort.
The idea comes to me from outside of me - and is like a gift. I then take the idea and make it my own - that is where the skill lies.
It is not hard to compose, but what is fabulously hard is to leave the superfluous notes under the table.
Composers in the old days used to keep strictly to the base of the theme, as their real subject. Beethoven varies the melody, harmony and rhythms so beautifully.
Those are miracles that no merely human brain can work. The artist is merely the sound conduct of a Force that dictates to him what he should do.
The fact that most people do not understand and respect the very best things, such as Mozart's concertos, is what permits men like us to become famous.
Study Bach. There you will find everything.
I think the mystery of art lies in this, that artistsβ relationship is essentially with their work β not with power, not with profit, not with themselves, not even with their audience.
Now, learning how to make a movie is something you can figure out in about an afternoon. The physics of it, the marks, the lights, etc. What's hard to do is to suspend your own feelings of self consciousness. The natural actors can do that; they can become part of a characterization and learn how to maintain it.
I believe in low lights and trick mirrors.
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.
I don't like to make strong statements. I want to write strong novels... I keep my deep, radical things for my novels.
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