And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
Mark StrandRead
The number of people writing poems is vast, and their reasons for doing so are many, that much can be surmised from the stacks of submissions.
Interpretation
Many people write poetry for various reasons, illustrating the diverse nature of poetic expression.
Mark Strand reflects on the vast number of individuals engaged in writing poetry, suggesting that their motivations are equally numerous and complex. This observation highlights the richness and diversity of poetic expression within society, as every poet brings their unique voice and purpose to their creations, contributing to the broader tapestry of literature.
In practice
In a poetry workshop, to encourage participants to explore their reasons for writing, you might say this quote to inspire conversation.
And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.
...In another time, What cannot be seen will define us, and we shall be prompted To say that language is error, and all things are wronged By representation. The self, we shall say, can never be Seen with a disguise, and never be seen without one.
Even this late it happens the coming of love, the coming of light. You wake and the candles are lit as if by themselves, stars gather, dreams pour into your pillows, sending up warm bouquets of air. Even this late the bones of the body shine and tomorrowβs dust flares into breath.
No voice comes from outer space, from the folds of dust and carpets of wind to tell us that this is the way it was meant to happen, that if only we knew how long the ruins would last we would never complain.
From the shadow of domes in the city of domes,_x000D_ A snowflake, a blizzard of one, weightless, entered your room_x000D_ And made its way to the arm of the chair where you, looking up_x000D_ From your book, saw it the moment it landed. That's all_x000D_ There was to it.
There's a certain point, when you're writing autobiographical stuff, where you don't want to misrepresent yourself. It would be dishonest.
Beauty is a key to the mystery and a call to transcendence. It is an invitation to savor life and to dream of the future. That is why the beauty of created things can never fully satisfy. It stirs that hidden nostalgia for God which a lover of beauty like Saint Augustine could express in incomparable terms: 'Late have I loved you, beauty so old and so new: late have I loved you!'.
I think of myself as a stylist, and stylists can become notoriously obsessed with the placing of a comma, the weight of a semicolon.
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
With this mistake I deprived myself of the possibility to make a contribution to the treasury of chess art.
As long as you have the acting chops and the desire to get inside a character, you can play anything.
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
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