The trouble with righting some wrongs is that it makes the remaining ones seem even more unbearable.
A. A. GillRead
The more there is on offer, the more you don't want. Fifty options of cereal does not hone an epicurean expertise in the finer points of puffed rice, it murders appetite.
Interpretation
Having too many choices can diminish our desire and appreciation for them.
A. A. Gill emphasizes that an abundance of choices can lead to overwhelm and dissatisfaction rather than enhancing our experiences. The quote illustrates how an excess of options, such as in the case of cereals, can dilute our ability to appreciate finer qualities, ultimately leading to a loss of appetite for what might once have excited us.
In practice
In a discussion about consumerism, one might quote this to illustrate the pitfalls of abundance.
The trouble with righting some wrongs is that it makes the remaining ones seem even more unbearable.
If the world were to end tomorrow and we could choose to save only one thing as the explanation and memorial to who we were, then we couldn't do better than the Natural History Museum, although it wouldn't contain a single human. The systematic Linnean order, the vast inquisitiveness and range of collated knowledge and beauty would tell all that is the best of us.
Sport is how poor kids from poor countries pass through the eye of the needle to riches and recognition.
Being able to afford everything you desire is not, by any means, the worst thing that can happen to you. But, depressingly, and more profoundly, neither is it the best.
America didn’t bypass or escape civilization. It did something far more profound, far cleverer: it simply changed what civilization could be.
Celebrity is a national drama whose characters' parts and plots are written by the tabloids, gossip columnists, websites and interactive buttons. The famous don't actually have to turn up to their own lives at all.
A bad conscience is easier to cope with than a bad reputation.
Song of God and Son of Man, there He hangs, bearing pains unutterable, the just for the unjust, to bring us to God.
Time present and time past / are both perhaps present in time future.
I do value my work awfully; but in reality only consider this: all this world of ours is nothing but a speck of mildew, which has grown up on a tiny planet. And for us to suppose we can have something great - ideas, work - it's all dust and ashes.
Eternal life and the invisible world are only to be sought in God. Only within Him do all spirits dwell. He is an abyss of individuality, the only infinite plenitude.
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
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