Time and trouble will tame an advanced young woman, but an advanced old woman is uncontrollable by any earthly force.
Dorothy L. SayersRead
[O]ne can scarcely be frightened off writing what one wants to write for fear an obscure reviewer should patronise one on that account.
Interpretation
Writers should not be deterred from expressing their true thoughts due to fear of criticism from less knowledgeable reviewers.
In this quote, Dorothy L. Sayers encourages writers to remain authentic and true to their unique voices, emphasizing that the opinions of lesser critics should not stifle their creativity or expression. It reinforces the idea that artistic integrity is more important than conforming to external expectations or facing negative reviews from those who may not fully understand the work's merit.
In practice
In a writing workshop, you might use this quote to encourage participants to be true to their voice.
Time and trouble will tame an advanced young woman, but an advanced old woman is uncontrollable by any earthly force.
But suppose one doesn't quite know which one wants to put first. Suppose," said Harriet, falling back on words which were not her own, "suppose one is cursed with both a heart and a brain?" "You can usually tell," said Miss de Vine, "by seeing what kind of mistakes you make. I'm quite sure that one never makes fundamental mistakes about the thing one really wants to do. Fundamental mistakes arise out of lack of genuine interest. In my opinion, that is.
. . . the fellow's got a bee in his bonnet. Thinks God's a secretion of the liver--all right once in a way, but there's no need to keep on about it. There's nothing you can't prove if your outlook is only sufficiently limited.
You're thinking that people don't keep up old jealousies for twenty years or so. Perhaps not. Not just primitive, brute jealousy. That means a word and a blow. But the thing that rankles is hurt vanity. That sticks. Humiliation. And we've all got a sore spot we don't like to have touched.
None of us feels the true love of God till we realize how wicked we are. But you can't teach people that - they have to learn by experience.
What is repugnant to every human being is to be reckoned always as a member of a class and not as an individual person.
I wear anything of culture, from the Earth or beyond. The whole planet is my shop.
The film drama is the opium of the people…down with bourgeois fairy-tale scenarios…long live life as it is!
As things are, and as fundamentally they must always be, poetry is not a career, but a mug's game. No honest poet can ever feel quite sure of the permanent value of what he has written: He may have wasted his time and messed up his life for nothing.
Fairy tales have always got to have something a bit scary for children - as long as you make them laugh as well.
I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.
Every time I try to retire, or even think of retiring from acting, my agent comes up with a script.
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