People sometimes forget all the films that we've done. They remember the likes of 'Malcolm X' and 'Do the Right Thing.' But I've been working since 1986. From the beginning, I was determined to not just be a flash in the pan. I've got to keep up with Woody Allen. He's lapping me.
Interpretation
The quote emphasizes the dedication of an artist to their craft and the desire for lasting recognition rather than fleeting fame.
Spike Lee reflects on the transient nature of fame in the film industry, expressing that while some works are memorable, true success comes from consistent effort and longevity in one's career. He acknowledges the challenge of keeping up with influential figures like Woody Allen, illustrating the continuous pursuit of excellence in art.
In practice
During a film festival panel discussion on the importance of legacy in filmmaking.
I think that anyone who lives in New York, who's lived here, who's spent any time here, knows that it's basically a love-hate relationship, you might say. Even though I still think it's the greatest city in the world and I wouldn't live anywhere else, there're still things about it one doesn't like. The love far outweighs the negative.
There's an unwritten law that you cannot have a Jewish character in a film who isn't 100 percent perfect, or you're labeled anti-Semitic.
The truth is I've been doing Kickstarter before there was Kickstarter; there was no Internet. Social Media was writing letters, making phone calls, beating the bushes.
It gets dangerous when you start allowing people to validate your work.
All directors are storytellers, so the motivation was to tell the story I wanted to tell. That's what I love.
Because many advances have happened, we've lost the urgency (and that's just human nature) that we had before, when we couldn't vote, couldn't use mass transportation, or drink from the fountains.
I love acting, especially if it's a fantasy of some kind, where it's not just realistic, it's not naturalism.
I think a lot of people who want to be musicians terrify their parents because they don't have a living example of it in their families, and I did. So I always knew that it was possible.
Rather than a teaching tool, I think a novel is more of a witnessing entity. A witnessing entity? What is that? I just want the reader to step in and experience it as a story.
I was walking along a path with two friends - the sun was setting - suddenly the sky turned blood red - I paused, feeling exhausted, and leaned on the fence - there was blood and tongues of fire above the blue-black fjord and the city - my friends walked on, and I stood there trembling with anxiety - and I sensed an infinite scream passing through nature.
If I were able to write, I probably would. But movies have given me a part of my life where I can express feelings and bring convictions to an audience as if I could write. So I made 'Gandhi' about human relations, prejudice and the empire. In 'Cry Freedom' I expressed my horror and disgust about apartheid.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
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