They had, finally, the only thing anyone really wants in life: someone to hold your hand when you die.
Lorrie MooreRead
Rather than a teaching tool, I think a novel is more of a witnessing entity. A witnessing entity? What is that? I just want the reader to step in and experience it as a story.
Interpretation
A novel serves to immerse the reader in the experience of the story rather than to teach them a lesson.
In this quote, Lorrie Moore suggests that the primary purpose of a novel is to allow readers to engage with the story fully, experiencing the emotions, settings, and characters deeply. She emphasizes the importance of immersion in literature, proposing that readers should not just learn from books but also witness and feel the narrative as an entity that exists independently, inviting them into its world.
In practice
In a book club discussion about the impact of storytelling on readers.
They had, finally, the only thing anyone really wants in life: someone to hold your hand when you die.
You couldn't pretend you had lost nothing... you had to begin there, not let your blood freeze over. If your heart turned away at this, it would turn away at something greater, then more and more until your heart stayed averted, immobile, your imagination redistributed away from the world and back only toward the bad maps of yourself, the sour pools of your own pulse, your own tiny, mean, and pointless wants.
I tried not to think about my life. I did not have any good solid plans for it long-term - no bad plans either, no plans at all - and the lostness of that, compared with the clear ambitions of my friends (marriage, children, law school), sometimes shamed me. Other times in my mind I defended such a condition as morally and intellectually superior - my life was open and ready and free - but that did not make it less lonely.
She was not good on the phone. She needed the face, the pattern of eyes, nose, trembling mouth... People talking were meant to look at a face, the disastrous cupcake of it, the hide-and-seek of the heart dashing across. With a phone, you said words, but you never watched them go in. You saw them off at the airport but never knew whether there was anyone there to greet them when they got off the plane.
No matter that you anticipate a thing; you get so used to it as part of the future that its actuality, its arrival, its force and presence, startles you, takes you by surprise, as would a ghost suddenly appearing in the room wearing familiar perfume and boots.
When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'
If you get hold of a head of hair on somebody you've never seen before, cut beautiful shapes, cut beautiful architectural angles and she walks out looking so different - I think that's masterful.
All art is unstable. Its meaning is not necessarily that implied by the author. There is no authoritative voice. There are only multiple readings.
I sometimes have a horrible fear of turning up a canvas of mine. I'm always afraid of finding a monster in place of the precious jewels I thought I had put there!
Popularity is the crown of laurel which the world puts on bad art. Whatever is popular is wrong.
Immature poets imitate; mature poets steal.
It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
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