Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
Photographs may be more memorable than moving images, because they are a neat slice of time, not a flow. Each still photograph is a privileged moment turned into a slim object that one can keep and look at again.
Interpretation
Photographs capture specific moments in time, allowing us to revisit them, unlike moving images that depict continuous motion.
Susan Sontag's quote illustrates the unique power of still photography to freeze and preserve a singular moment, granting it a sense of permanence and importance that moving images lack. While films may capture the flow of time and tell stories, photographs distill experiences into tangible objects we can hold and reflect upon, ultimately making them more memorable.
In practice
In a photography class discussing the impact of still images versus videos.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Poetry is a street fighter. It has sharp elbows. It can look after itself. Poetry can't be used for manipulation; it's why you never see good poetry in advertising.
I talk about life, and I make universal music with an American style - and that's what I do.
I am interested in the physicality of light itself.
The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
I thought as an actress I would be able to have broader emotional experiences, but then I quickly figured out that I wanted to think about tragic dramas, not act in them.
That's what you're looking for as a writer when you're working. You're looking for your own freedom. To lose your inhibition to delve deep into your memory and experiences and life and then to find the prose that will persuade the reader.
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