We live in the best of all possible worlds
Gottfried LeibnizRead
The pleasure we obtain from music comes from counting, but counting unconsciously. Music is nothing but unconscious arithmetic.
Interpretation
Music is a form of unconscious arithmetic that provides pleasure through rhythm and structure.
In this quote, Leibniz suggests that music, while seemingly an emotional and creative pursuit, is fundamentally rooted in mathematical principles. The ability to derive pleasure from music lies in its underlying structures, which we comprehend without consciously counting or analyzing them. In essence, music's beauty stems from the intricate relationships and patterns that flow through it, often unnoticed by listeners.
In practice
In a presentation about the impact of music on emotions and psychology.
We live in the best of all possible worlds
I am so in favor of the actual infinite that instead of admitting that Nature abhors it, as is commonly said, I hold that Nature makes frequent use of it everywhere, in order to show more effectively the perfections of its Author.
It is unworthy of excellent men to lose hours like slaves in the labor of calculation which could be relegated to anyone else if machines were used.
According to their [Newton and his followers] doctrine, God Almighty wants to wind up his watch from time to time: otherwise it would cease to move. He had not, it seems, sufficient foresight to make it a perpetual motion. Nay, the machine of God's making, so imperfect, according to these gentlemen; that he is obliged to clean it now and then by an extraordinary concourse, and even to mend it, as clockmaker mends his work.
..This is why the ultimate reason of things must lie in a necessary substance, in which the differentiation of the changes only exists eminently as in their source; and this is what we call God.
...a distinction must be made between true and false ideas, and that too much rein must not be given to a man's imagination under pretext of its being a clear and distinct intellection.
Dialogue must appear realistic without being so. Actual realism-the lifting, as it were, of passages from a stenographer's take-down of a 'real life' conversation-would be disruptive. Of what? Of the illusion of the novel. In 'real life' everything is diluted; in the novel everything is condensed.
Thinking should be done before and after, not during photographing. Success depends on the extent of one's general culture. one's set of values, one's clarity of mind one's vivacity. The thing to be feared most is the artificially contrived, the contrary to life.
For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world.
As the waves of perfume, heliotrope, rose, _x000D_ _x000D_ Float in the garden when no wind blows, _x000D_ _x000D_ Come to us, go from us, whence no one knows; _x000D_ _x000D_ So the old tunes float in my mind, _x000D_ _x000D_ And go from me leaving no trace behind, _x000D_ _x000D_ Like fragrance borne on the hush of the wind.
It is not hard to compose, but what is fabulously hard is to leave the superfluous notes under the table.
Arabic is very twisting, very beautiful. The call to prayer is quite haunting; it almost makes you a believer on the spot.
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