Hold a book in your hand and you're a pilgrim at the gates of a new city.
Anne MichaelsRead
Reading a poem in translation is like kissing a woman through a veil.
Interpretation
This quote suggests that experiencing poetry in translation diminishes the full beauty and intimacy of the original language.
Anne Michaels' quote metaphorically compares reading a poem in translation to kissing a woman through a veil, emphasizing that just as a veil obscures the full experience of a kiss, translation can obscure the depth, nuance, and emotional resonance of the original poem. The idea is that certain nuances and feelings are lost when art is filtered through another language, making the experience less genuine or powerful than it could be.
In practice
In a literary discussion about the beauty of original works.
Hold a book in your hand and you're a pilgrim at the gates of a new city.
When my parents were liberated, four years before I was born, they found that the ordinary world outside the camp had been eradicated. There was no more simple meal, no thing was less than extraordinary: a fork, a mattress, a clean shirt, a book. Not to mention such things that can make one weep: an orange, meat and vegetables, hot water. There was no ordinariness to return to, no refuge from the blinding potency of things, an apple screaming its sweet juice.
If love wants you; if you've been melted down to stars, you will love with lungs and gills; with feathers and scales; with warm blood and cold.
Long after you’ve forgotten someone’s voice, you can still remember the sound of their happiness or their sadness. You can feel it in your body.
Love makes you see a place differently, just as you hold differently an object that belongs to someone you love. If you know one landscape well, you will look at all other landscapes differently. And if you learn to love one place, sometimes you can also learn to love another.
There's a moment when love makes you believe in death for the first time. You recognize the one whose loss, even contemplated, you'll carry forever, like a sleeping child. All grief, anyone's grief...is the weight of a sleeping child.
What am I in the eyes of most people - a nonentity, an eccentric, or an unpleasant person - somebody who has no position in society and will never have; in short, the lowest of the low. All right, then - even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
Good architecture should be a projection of life itself, and that implies an intimate knowledge of biological, social, technical, and artistic problems.
There is certainly no absolute standard of beauty. That precisely is what makes its pursuit so interesting.
Acting is not a competition; everything must be done for the good of the film or else everybody loses.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
I fell in love with skateboarding because it was individual; there were no teams, there were no captains, there was nothing to perfect. No style that had to be measured. It was completely opposite of what I saw in so many sports. It was creative. And to this day, that's what I love, that's always kept me back to it because it's endless creation.
Subscribe for the occasional hand-picked quote. No noise.