I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Jane CampionRead
And, I mean, I think poetry does need to be met to some extent, especially, I guess, 19th century poetry, and for me, it's just been so worth the effort. It's like I'm planting a garden in my head.
Interpretation
The quote reflects the value of engaging with poetry and the mental effort it requires, likening it to nurturing a garden.
Jane Campion's quote emphasizes the importance of actively engaging with poetry, particularly from the 19th century. She suggests that the effort to understand and appreciate poetry is worthwhile, as it cultivates a rich inner world, comparable to planting and nurturing a garden in one's mind, full of beauty and imagination.
In practice
In a discussion about the importance of literature, this quote can highlight the effort involved in poetry appreciation.
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters.
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
Spiritually I am wherever my spirit allows me to be, and that is not necessarily in the future... Art never seems to make me peaceful or pure.
When I sit down to write a song, it's a kind of improvisation, but I formalize it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I'm about to do.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
Making a movie is like a marathon, and commercials are like sprints - they're equally satisfying, but in different ways.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
Everything we design is a response to the specific climate and culture of a particular place.
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