It's absolutely crucial to maintain my life as a poet.
Edward HirschRead
Poetry is meant to inspire readers and listeners, to connect them more deeply to themselves even as it links them more fully to others. But many people feel put off by the terms of poetry, its odd vocabulary, its notorious difficulty.
Interpretation
Poetry aims to foster connection and self-discovery, yet many find it daunting due to its complex language.
Edward Hirsch emphasizes that poetry serves as a bridge that facilitates a deeper understanding of oneself while simultaneously forging connections with others. However, its unique language and perceived difficulties can alienate potential readers, preventing them from experiencing its true beauty and transformative power.
In practice
In a speech about the importance of the arts, one might quote this to emphasize poetry's role in human connection.
It's absolutely crucial to maintain my life as a poet.
The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.
As far as I'm concerned, freedom is the most important thing to creativity. You should feel free to write in whatever way, whatever language, feels comfortable to you.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
And every year there is a brief, startling moment _x000D_ When we pause in the middle of a long walk home and _x000D_ Suddenly feel something invisible and weightless _x000D_ Touching our shoulders, sweeping down from the air: _x000D_ It is the autumn wind pressing against our bodies; _x000D_ It is the changing light of fall falling on us.
When poetry separates from song, then the words have to carry all the rhythm themselves; they have to do all the work. They can't rely on the singing voice.
But who is this, what thing of sea or land,- Female of sex it seems,- That so bedeck'd, ornate, and gay, Comes this way sailing Like a stately ship Of Tarsus, bound for th' isles Of Javan or Gadire, With all her bravery on, and tackle trim, Sails fill'd, and streamers waving, Courted by all the winds that hold them play, An amber scent of odorous perfume Her harbinger?
All the translations of a poem in all possible languages may add nuance to nuance and, by a kind of mutual retouching, by correcting one another, may give an increasingly faithful picture of the poem they translate, yet they will never give the inner meaning of the original.
So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.
Films made by women belong to the history of cinema; it's just that we get erased pretty quickly.
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
I think we're about ready for a new feeling to enter music. I think that will come from the Arabic world.
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