Is not the most erotic part of the body wherever the clothing affords a glimpse?
Roland BarthesRead
Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
Interpretation
Wine enriches social interactions and cultural practices in society.
This quote highlights the integral role that wine plays in various aspects of French culture and society. It suggests that wine is not just a beverage, but a symbol that enhances moral values, creates a hospitable atmosphere, and is an essential part of both daily rituals and formal gatherings, thereby influencing social connections and cultural identity.
In practice
During a toast at a wedding celebration.
Is not the most erotic part of the body wherever the clothing affords a glimpse?
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a "weakness" or an "absurdity": it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.
The text is a tissue of quotations drawn from the innumerable centres of culture.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It's not for the acting, that's for sure.
Dress is at all times a frivolous distinction, and excessive solicitude about it often destroys its own aim.
What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
I write in a noisy, distracting world so the books can be read there.
The way a small child might dream of visiting Disneyland, I dreamed of writing books. Never did I think my poems would become that.
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