I think there are a lot of rules for women. We have a lot of expectations and a lot of rules for women. So we're expected to march in a straight line, and when we don't, all hell breaks loose.
Roxane GayRead
That the question of likability even exists in literary conversations is odd. It implies that we are engaging in a courtship. When characters are unlikable, they don’t meet our mutable, varying standards. Certainly we can find kinship in fiction, but literary merit shouldn’t be dictated by whether we want to be friends or lovers with those about whom we read.
Interpretation
The likability of characters in literature shouldn't dictate their value or merit.
Roxane Gay argues that the discussion surrounding likability in literature is peculiar because it relates to personal preferences in relationships. She contends that the assessment of literary merit shouldn't depend on whether readers find characters appealing or want to form connections with them, as meaningful narratives can arise from unlikable figures.
In practice
During a book club discussion about complex protagonists, one might use this quote to highlight how character flaws can enhance a story.
I think there are a lot of rules for women. We have a lot of expectations and a lot of rules for women. So we're expected to march in a straight line, and when we don't, all hell breaks loose.
I believe in the freedom of expression, unequivocally - though, as I have written before, I wish more people would understand that freedom of expression is not freedom from consequence.
Public intellectuals are often put in the position of having their words, no matter how off-the-cuff, treated as doctrine.
No one is helped when cultural critics use their voices irresponsibly.
I have never dreamed of being a princess. I have not longed for Prince Charming. I have and do long for something resembling a happily ever after. I am supposed to be above such flights of fantasy, but I am not. I am enamored of fairy tales.
There has been, and there will continue to be, vigorous discussions about race in America. I worry that little will come of these discussions because we aren't addressing what must be done to change the current racial climate.
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Sometimes, there can be a slightly condescending assumption that anything unlikable about a female character is a mistake, as if they're a contestant in a beauty pageant and have to seem charming and upbeat all the time.
She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.
All great novels, all true novels, are bisexual.
Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
My experience is that prose usually equals duty - last minute, overdue-deadline stuff or a panic lecture to be written.
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