Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael OndaatjeRead
She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.
Interpretation
The quote expresses the deep appreciation for words and their power to provide clarity and understanding in life.
In this quote by Michael Ondaatje, the speaker reflects on a person's lifelong affection for words, highlighting how they have been a source of clarity and structure for her. Words are portrayed as essential tools that not only convey meaning but also shape one's perception of the world, illustrating the profound impact language has on an individual's thoughts and experiences.
In practice
In a speech about the importance of storytelling, this quote can emphasize the impact of words in shaping narratives.
Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
Water is the exile, carried back in cans and flasks, the ghost between your hands and your mouth.
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.
A man in a desert can hold absence in his cupped hands, knowing it is something that feeds him more than water.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Literature sucks you into another psyche. So the creation of empathy necessarily influences how you'll behave to other people.
Literature has as one of its principal allures that it tells you something about life that life itself can't tell you. I just thought literature is a thing that human beings do.
The poet can only write the poems; it takes the reader to complete the meaning.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
Most of the female characters I admire come from science fiction and fantasy, maybe because there's more permission to shake up gender roles in genre.
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