One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Roger ScrutonRead
A reactionary is fixed on the past and wanting to return to it; a conservative wishes to adapt what is best in the past to the changing circumstances of the present.
Interpretation
What this quote means
The quote contrasts reactionaries and conservatives in their relationship to the past, highlighting a difference in approach to change.
Roger Scruton's quote emphasizes the distinction between reactionaries, who are primarily focused on reverting to a previous state, and conservatives, who seek to adapt valuable lessons from the past to contemporary situations. This illustrates a philosophical debate about how societies can learn from history while also embracing progress.
Themes
ReactionaryConservativePastChangeAdaptation
In practice
Example use cases
This quote could be used in a debate about political ideologies and their impact on society.
More from Roger Scruton
All quotes βThere are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
Roger ScrutonRead
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
Roger ScrutonRead
The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
Roger ScrutonRead
For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
Roger ScrutonRead
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
Roger ScrutonRead
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