Psychoanalysis is a terribly efficient instrument, and because it is more and more a prestigious instrument, we run the risk of using it with a purpose for which it was not made for, and in this way we may degrade it.
Jacques LacanRead
The reason we go to poetry is not for wisdom, but for the dismantling of wisdom
Interpretation
This quote suggests that poetry transcends conventional wisdom to evoke deeper understanding and feelings.
Jacques Lacan's quote emphasizes the idea that poetry serves as a means to break down traditional notions of wisdom and knowledge. Rather than merely providing answers or insights, poetry invites readers to experience emotions, question their perceptions, and explore the complexities of human existence. It highlights the transformative power of artistic expression in challenging and reshaping our understanding of reality.
In practice
Sharing this quote during a poetry reading to highlight the emotional impact of literature.
Psychoanalysis is a terribly efficient instrument, and because it is more and more a prestigious instrument, we run the risk of using it with a purpose for which it was not made for, and in this way we may degrade it.
But what Freud showed us⦠was that nothing can be grasped, destroyed, or burnt, except in a symbolic way, as one says, in effigie, in absentia.
The real is what resists symbolization absolutely.
If psychoanalysis clarifies some facts of sexuality, it is not by aiming at them in their own reality, not in biological experience.
I think where I am not, therefore I am where I do not think. I am not whenever I am the plaything of my thought; I think of what I am where I do not think to think.
Meaning is produced not only by the relationship between the signifier and the signified but also, crucially, by the position of the signifiers in relation to other signifiers.
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
I always feel that whatever isn't necessary shouldn't be in a poem.
If you go to a big publishing house, editorial aside, it's completely white.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.
I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
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