Childhood lasts all through life. It returns to animate broad sections of adult life... Poets will help us to find this living childhood within us, this permanent, durable immobile world.
Gaston BachelardRead
The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
Interpretation
This quote discusses the creative process of poetry and how it guides an imaginative state of mind.
Gaston Bachelard's quote highlights the transformative power of poetry in inspiring 'poetic reverie,' a state of contemplation that leads to creativity and the formation of images. He suggests that this reverie directs an expanding consciousness toward the act of writing, where the blank page becomes a canvas for imagination, allowing images and thoughts to come together and manifest in written form.
In practice
This quote can be used in a workshop on creative writing to inspire participants about the power of imagination.
Childhood lasts all through life. It returns to animate broad sections of adult life... Poets will help us to find this living childhood within us, this permanent, durable immobile world.
Of course, any simplification runs the risk of mutilating reality; but it helps us establish perspectives.
Nobody knows that in reading we are re-living our temptations to be a poet. All readers who have a certain passion for reading, nurture and repress, through reading, the desire to become a writer.
Ideas are refined and multiplied in the commerce of minds. In their splendor, images effect a very simple communion of souls.
In order to dream so far, is it enough to read? Isn't it necessary to write? Write as in our schoolboy past, in those days when, as Bonnoure says, the letters wrote themselves one by one, either in their gibbosity or else in their pretentious elegance? In those days, spelling was a drama, our drama of culture at work in the interior of a word.
How is it possible not to feel that there is communication between our solitude as a dreamer and the solitudes of childhood? And it is no accident that, in a tranquil reverie, we often follow the slope which returns us to our childhood solitudes.
To hell with facts! We need stories.
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
Art must be an expression of love or it is nothing.
The moment a man sets his thoughts down on paper, however secretly, he is in a sense writing for publication.
Because anybody can write, but not everybody invents new forms of writing. Gertrude Stein invented a new form of writing and her imitators are just "talents."
To be honest, the biggest reason I write music and became a musician was to create the amount of joy that I felt about music to anyone else. To me, that's a job well done.
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