No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.
Ken KeseyRead
To hell with facts! We need stories.
Interpretation
Facts are less important than the narratives that connect us emotionally.
This quote by Ken Kesey emphasizes the idea that human experience is deeply rooted in storytelling rather than mere facts. Stories have the power to convey emotions, truths, and experiences that transcends the coldness of data, allowing individuals to relate and connect with one another on a more profound level.
In practice
A motivational speech that highlights the importance of storytelling in connecting with audiences.
No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.
His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift. But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.
You've got to get out and pray to the sky to appreciate the sunshine; otherwise you're just a lizard standing there with the sun shining on you.
But I remember one thing:_x000D_ _x000D_ it wasn't me that started acting deaf;_x000D_ _x000D_ it was people that first started acting like_x000D_ _x000D_ I was too dumb to hear or see or say anything at all
The job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
If this glorious birth to death hassle is the only hassle we are ever to have ..if our grand exhilarating fight of life is such a tragically short little scrap anyway,compared to the eons of rounds before and after-then why should one want to relinquish even a few precious seconds of it?
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
One of the things that happens in novels it's almost like a continual debate with yourself. That's why you're writing the book. It's why you create characters: so you can argue with yourself.
I have had three masters, Nature, Velasquez, and Rembrandt.
If you really want to be an artist, you search yourself, and you find a lot of it comes from earlier times. I have pretty much built the work around my experiences. When I've moved from one place to another, the work has changed.
One cannot create an art that speaks to men when one has nothing to say.
Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.
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