Misery, anger, indignation, discomfort-those conditions produce literature. Contentment-never. So there you are.
T. E. LawrenceRead
All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas!
Interpretation
Initial ideas are crucial, and no amount of editing can fix a poorly conceived draft.
T. E. Lawrence emphasizes the importance of a strong initial conception when creating a work. He suggests that while revisions can improve details and presentation, they cannot compensate for a fundamentally flawed idea or structure that fails to resonate from the start.
In practice
An author sharing this quote during a writing workshop to encourage participants to focus on their initial ideas.
Misery, anger, indignation, discomfort-those conditions produce literature. Contentment-never. So there you are.
In peace-armies discipline meant the hunt, not of an average but of an absolute; the hundred per cent standard in which the ninety-nine were played down to the level of the weakest man on parade.... The deeper the discipline, the lower was the individual excellence; also the more sure the performance.
The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly.
Arab civilizations had been of an abstract nature, moral and intellectual rather than applied; and their lack of public spirit made their excellent private qualities futile. They were fortunate in their epoch: Europe had fallen barbarous; and the memory of Greek and Latin learning was fading from men's minds.
We lived many lives in those whirling campaigns, never sparing ourselves; yet when we achieved, and the new world dawned, the old men came out again and took our victory to re-make in the likeness of the former world they knew.
When I am angry, I pray God to swing our globe into the fiery sun and prevent the sorrows of the not-yet-born: but when I am content, I want to lie forever in the shade, till I become a shade myself.
Genres aren't closed boxes. Stuff flows back and forth across the borders all the time.
The reason you do this stuff - comedy, plays, movies - is to be seized by something, to disappear in the service of an idea.
I never considered myself a movie star, and I didn't want to become a movie star, because as soon as you do, you throw away that possibility of playing character. You really do. All of a sudden you're just an entity, you know?
Not only do I have to live, right, I have to get some cash for my troubles - it's a scary thing, and people need to start to think about the messages that they send in the movies.
One of my fears is not writing. I don't know how to do anything else.
To express what is the most moral, healthful and beautiful in art this is the mission of the dancer, and to this I dedicate my life.
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