All writing is discipline, but screenwriting is a drill sergeant.
Robert MckeeRead
Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.
Interpretation
Successful writers refine their work through multiple revisions to ensure quality and integrity.
This quote by Robert Mckee emphasizes the importance of patience and thoroughness in the writing process. It suggests that great writing is not produced in haste; instead, it requires careful rewriting and editing to transform initial drafts into polished scripts that are ready for directors and actors. The underlying message is that unfinished work is vulnerable to changes and misinterpretations, while well-crafted pieces maintain their intended impact and quality.
In practice
A motivational speech about the importance of diligence in creative endeavors.
All writing is discipline, but screenwriting is a drill sergeant.
Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact.
Storytelling is the most powerful way to put ideas into the world today.
Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.
Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form.
We rarely know where we are going; writing is a discovery.
Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
This grant gave me more than memories; it gave me a crucial experience that is formative to all writers: the ability to perceive that we become writers in exile, where what we write is the only link across distance and time…I became a Maryland writer because the community of Juneau took me in.
Composing on the typewriter, I find that I am sloughing off all my long sentences which I used to dote upon. Short, staccato, like modern French prose. The typewriter makes for lucidity, but I am not sure that it encourages subtlety.
I think a lot of the dull parts of first drafts come from a kind of over-managing, intrusive writer who wants to direct traffic. The idea of taking out the parts that the reader could infer is very liberating, and it's weirdly part of radicalizing your work: it allows you to go to new places fast.
I consider the process of gestation just as important as when you're actually sitting down putting words to the paper.
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