I must go down to the sea again For the call of the running tide It's a wild call and a clear call that may not be denied.
John MasefieldRead
Since the printing press came into being, poetry has ceased to be the delight of the whole community of man; it has become the amusement and delight of the few.
Interpretation
The introduction of the printing press changed poetry from a communal art form to one that is appreciated by a select few.
John Masefield's quote highlights the transformative impact of the printing press on poetry. Originally, poetry was a shared experience that brought joy to the entire community; however, with its widespread production and accessibility, it became more of an individual pursuit, enjoyed primarily by those who actively seek it out, relegating it to a niche audience rather than a collective cultural experience.
In practice
In a discussion about how technology affects literature, this quote illustrates the historical shift in audience engagement.
I must go down to the sea again For the call of the running tide It's a wild call and a clear call that may not be denied.
Commonplace people dislike tragedy because they dare not suffer and cannot exult.
What am I, Life? A thing of watery salt Held in cohesion by unresting cells, Which work they know not why, which never halt, Myself unwitting where their Master dwells?
I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife And all I ask is a merry yarn from a laughing fellow rover, And quiet sleep and a sweet dream when the long trick's over.
Poetry is a mixture of common sense, which not all have, with an uncommon sense, which very few have.
Once in a century a man may be ruined or made insufferable by praise. But surely once in a minute something generous dies for want of it.
The creative adult is the child who has survived.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
The picture is in your head, in your imagination, everything.
People call me the painter of dancers, but I really wish to capture movement itself.
The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
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