The photo is a thing in itself. And that's what still photography is all about.
Garry WinograndRead
Sometimes photographers mistake emotion for what makes a great street photograph.
Interpretation
Great street photography goes beyond capturing mere emotions; it involves deeper elements of composition and context.
Garry Winogrand's quote suggests that many photographers may prioritize the emotional aspect of a moment when taking a street photograph, overlooking the fundamental principles of good composition, context, and storytelling that contribute to a truly great image. Street photography is an art form that requires a balance between emotion and technical skill to create impactful visuals.
In practice
In a photography workshop, you might say, 'Remember Garry Winogrand's perspective on photography when capturing street life.'
The photo is a thing in itself. And that's what still photography is all about.
The photograph should be more interesting or more beautiful than what was photographed
Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
When I’m photographing I see life.
Photography is not about the thing photographed. It is about how that thing looks photographed.
I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.
Photography is a magic thing. A thing that has mysterious odors, a little strange and frightening, something one quickly grows to love.
But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.
Perversity is the muse of modern literature.
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
Too many pieces of music finish too long after the end.
Any writer worth his salt writes to please himself...It's a self-exploratory operation that is endless. An exorcism of not necessarily his demon, but of his divine discontent.
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