We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
Ornette ColemanRead
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
Interpretation
Every individual has a unique essence or 'sound' that defines them, regardless of their musical abilities.
In this quote, Ornette Coleman emphasizes the idea that every person possesses a unique identity or essence, which he likens to a personal 'sound'. This 'sound' represents an individual's distinct characteristics, experiences, and emotional resonances that shape who they are, irrespective of their engagement with music or art.
In practice
This quote can inspire artists to embrace their unique styles during a creative meeting.
We in the Western world suffer from too many categories and classes; we've forgotten that we all still have diapers on. We've separated music from life.
You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
I decided, if I'm going to be poor and black and all, the least thing I'm going to do is to try and find out who I am. I created everything about me.
Since the printing press came into being, poetry has ceased to be the delight of the whole community of man; it has become the amusement and delight of the few.
You can study orchestration, you can study harmony and theory and everything else, but melodies come straight from God.
Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
Words are beautiful but restricted. They're very masculine, with a compact frame. But voice is over the dark, the place where there's nothing to hang on: it comes from a part of yourself that simply knows, expresses itself, and is.
To me more dear, congenial to my heart, One native charm, than all the gloss of art.
There were details like clothing, hair styles and the fragile objects that hardly ever survive for the archaeologist-musical instruments, bows and arrows, and body ornaments depicted as they were worn... No amounts of stone and bone could yield the kinds of information that the paintings gave so freely
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