I always understood my ancestry, like that of so many others in the Gulf Coast, to be a tangle of African slaves, free men of color, French and Spanish immigrants, British colonists, Native Americans - but in what proportion, and what might that proportion tell me about who I thought I was?
In the South, there is more overt racism. It's more willfully ignorant and brazen. But it's not as if by moving I'm going to be able to escape institutionalized racism. It's not as though my life won't be twisted and impacted by racism anymore. It will.
Interpretation
What this quote means
The quote highlights the pervasive nature of racism, emphasizing that it exists in different forms regardless of geographical location.
Jesmyn Ward's quote sheds light on the reality of racism, emphasizing that while it may manifest differently in various regions, it is an enduring and systemic issue that cannot be escaped simply by changing one's location. The acknowledgment of overt racism in the South contrasts with the more subtle institutionalized racism found elsewhere, but ultimately, the impacts of racism are inescapable and shape the lives of individuals regardless of where they reside.
Themes
In practice
Example use cases
During a lecture on social justice, this quote can illustrate the complexities of racism in different regions.
More from Jesmyn Ward
All quotes →The ugly heart of the South still beats with this idea that one group of people is worth less.
Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
With all the main characters that I write, it's always very important to me that they have good and bad aspects of their personality. It's important to me that they're complicated and that they're human.
I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.
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You try to pull away the experiences until you get to the core of humanity, and you find that light that exists in everybody. It's that light that I'm searching for in all of my work - is that connective thing, that ether that enters all of us - you know what I mean? That's a part of God.
Yes, now I understood for the first time that my soul was not so poor and empty as it had seemed to me, and that it had been only the sun that was lacking to open all its germs, and buds to the light.
Where do one's fears come from? Where do they shape themselves? Where do they hide before coming out into the open?
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.