The stories are not autobiographical, but they're personal in that way. I seem to know only the things that I've learned. Probably some things through observation, but what I feel I know surely is personal.
Interpretation
The quote emphasizes that while stories may not be directly autobiographical, they are shaped by personal experiences and observations.
Alice Munro reflects on the nature of storytelling, suggesting that although her stories are not strict autobiographies, they are deeply influenced by her personal experiences and insights. This highlights the idea that every narrative is imbued with the writer's unique perspective and emotions, making the storytelling process inherently personal and subjective.
In practice
In a speech about the importance of personal storytelling in writing workshops.
Sometimes our connection is frayed, it is in danger, it seems almost lost. Views and streets deny knowledge of us, the air grows thin. Wouldn't we rather have a destiny to submit to, than, something that claims us, anything, instead of such flimsy choices, arbitrary days?
I was amazed as people must be who are seized and kidnapped, and who realize that in the strange world of their captors they have a value absolutely unconnected with anything they know about themselves.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
I just believed it easily, the way you might believe and in fact remember that you once had another set of teeth, now vanished but real in spite of that. Until one day, one day when I may even have been in my teens, I knew with a dim sort of hole in my insides that now I didn't believe it anymore.
You want in all cases for the story to get through the writing.
A story is not like a road to follow... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside it altered by being viewed from these windows.
And for the first time in hundreds of years, the night came alive with the music of dragons.
Don't play the notes. Play the meaning of the notes.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
Give me a look, give me a face, That makes simplicity a grace Robes loosely flowing, hair as free Such sweet neglect more taketh me Than all the adulteries of art: They strike mine eyes, but not my heart.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
Writing can be taken up at any point. But you need to remember that the arts are fundamentally unfair. Hard work and diligence won't necessarily take you all the way. Talent, nepotism, influence, and pure luck play a huge part.
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