I love you more than my own skin and even though you don’t love me the same way, you love me anyways, don’t you? And if you don’t, I’ll always have the hope that you do, and i’m satisfied with that. Love me a little. I adore you.
Frida KahloRead
I want a storm to come and flood us into a song that no one wrote.
Interpretation
This quote expresses a desire for profound emotional experiences that inspire creativity and connection.
Frida Kahlo's quote reflects the longing for transcendent moments that evoke deep feelings, suggesting that such experiences can lead to artistic expressions that are uniquely personal and yet universally relatable. The imagery of a storm symbolizes overwhelming passion and turmoil, while flooding into a song signifies transformation into something beautiful and expressive, despite being uncreated by anyone else.
In practice
This quote could be shared at an art exhibition to evoke emotions about creativity.
I love you more than my own skin and even though you don’t love me the same way, you love me anyways, don’t you? And if you don’t, I’ll always have the hope that you do, and i’m satisfied with that. Love me a little. I adore you.
I never knew I was a surrealist till Andre Breton came to Mexico and told me I was.
Passion is the bridge that takes you from pain to change.
My blood is a miracle that, from my veins, crosses the air in my heart into yours.
I hope the exit is joyful and i hope never to return.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
It's not that I sit down and write great stuff without thinking, not at all. Most of it is terrible. But the stuff that feels fun and fresh to me tends to happen fairly unthinkingly.
For me, a page of good prose is where one hears the rain and the noise of battle. It has the power to give grief or universality that lends it a youthful beauty.
I think that when we look at something that's well acted and a story that's well told, it allows us to be a mirror of who we are as human beings and as a culture, and offers a glimpse of where we're headed.
Getting the player emotionally involved is the holy grail. We try to make players forget they're playing a game. We want them to live the experience and suspend disbelief.
It helps me to learn things in different languages, even if it's just phonetically, and to make myself vulnerable to other audiences by trying to reflect back to them the genius of their own cultures, and to do that, oftentimes, in new jazz settings, new arrangements. It's a way to show respect.
My subject matter was a genuine sort of experience that came out of my life, particularly the American world in which I was privileged to be . . . . I would really think of the bakery counters, of the way the counter was lit, where the pies were placed, but I wanted just a piece of the experience. From when I worked in restaurants . . . [it was] always poetic to me.
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