I'm a frotteur, someone who likes to rub words in his hand, to turn them around and feel them, to wonder if that really is the best word possible.
James SalterRead
The summer has ended. The garden withers. The mornings become chill. I am thirty, I am thirty-four -the years turn dry as leaves.
Interpretation
This quote reflects on the passage of time and the inevitability of change as one ages.
James Salter's quote encapsulates the feeling of nostalgia and the transient nature of life. As the seasons change and summer fades into autumn, one is reminded of their own aging process, where each year feels like a leaf turning dry, highlighting the impermanence of youth and the inevitability of time moving forward.
In practice
In a reflective speech about life transitions, this quote serves as a reminder of the passage of time.
I'm a frotteur, someone who likes to rub words in his hand, to turn them around and feel them, to wonder if that really is the best word possible.
Why is it so difficult to assemble those things that really matter in life and to dwell among them only? I am referring to certain landscapes, persons, beasts, books, rooms, meteorological conditions, fruits.
One is seduced and battered in turn. The result is presumably wisdom. Wisdom! We are clinging to life like lizards. Why is it so difficult to assemble those things that really matter in life and to dwell among them only? I am referring to certain landscapes, persons, beasts, books, rooms, meteorological conditions, fruits. In fact, I insist on it. A letter is like a poem, it leaps into life and shows very clearly the marks, perhaps I should say thumbprints, of an unwilling or unready composer.
If you read a book about school - someone else's book - you always translate it into your own school experiences. It's describing the student: he's bewildered and lost in a large crowd in a university classroom. You'll visualize that from your own experiences. So, everything you know is what you're really writing.
I think you can be taught to write. You can't be taught to be a good writer. For that, you have to bring something to it, yourself, something that can't be given to you.
I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
Many times, I left the prison thinking, 'I'm smart. I can make it. I won't get caught up again.' But you get off downtown Skid Row, and you're a target for all of the environmental harms in that area. The pain and trauma in that area is so thick, you can almost reach your hand out and touch it.
Life is so tough. I don't know how old you are, but I've seen so much in a wink. One phone call and your life is changed forever. We all know that. You better laugh at everything.
It never mattered to me that people in school didn't think that country music was cool, and they made fun of me for it - though it did matter to me that I was not wearing the clothes that everybody was wearing at that moment. But at some point, I was just like, 'I like wearing sundresses and cowboy boots.'
I wake up every morning at nine and grab for the morning paper. Then I look at the obituary page. If my name is not on it, I get up.
Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.
Give me, for my life, all lives, give me all the pain of everyone, I'm going to turn it into hope. Give me all the joys, even the most secret, because otherwise how will these things be known? I have to tell them, give me the labors of everyday, for that's what I sing.
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