When I write something, I can't remember in the end if this is a memory or if it's not - I'm talking about fiction. So for me, it's the same thing.
Karl Ove KnausgardRead
I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
Interpretation
The author finds a unique talent in experiencing and expressing humiliation, which informs their writing.
In this quote, Karl Ove Knausgard reflects on the duality of his relationship with humiliation. While it is a painful aspect of his life, he acknowledges that it serves as a valuable resource for his writing, allowing him to explore deep, often uncomfortable emotions that resonate with readers. This observation suggests that personal challenges and vulnerabilities can be transformed into powerful creative tools.
In practice
In a talk about the role of vulnerability in creativity, this quote can highlight how personal struggles enhance artistic expression.
When I write something, I can't remember in the end if this is a memory or if it's not - I'm talking about fiction. So for me, it's the same thing.
In my experience, when you're writing, you want the truth, and you don't want to be apologetic in any way. But there is something in writing, the complexity of it, that works against that aim.
I'm giving away my family's story. Who owns the family's story? I don't. But you could turn it around and ask, 'Who is to deny me to write my family's story?' I have hurt people, but I don't think in a dangerous way. But you can't tell.
Form is, in a way, death. A novelist's obligation is to break free from the form, even though he knows that this will also be seen as artificial and distanced from life.
When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.
I do feel guilty. I do. Especially about my family, my children. I write about them, and I know that this will haunt them as well through their lives. Why did I do that to them?
To write tragedy, a man must feel tragedy. To feel tragedy, a man must be aware of the world in which he lives. Not only with his mind, but with his blood and sinews.
I've written only two novels, but they're both long ones, and they each took a decade to write.
When I became poet laureate, I was in a slightly uncomfortable position because I think a lot of poetry isn't worth reading.
To say that a work of art is good, but incomprehensible to the majority of men, is the same as saying of some kind of food that it is very good but that most people can't eat it.
I think the first little jolt I got was reading Gerard Manley Hopkins - I liked other poems... but Hopkins was kind of electric for me - he changed the rules with speech, and the whole intensity of the language was there and so on.
Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?
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