If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
B. B. KingRead
I just wonder where I was when the talent was being given out, like George Benson, Kenny Burrell, Eric Clapton... oh, there's many more! I wouldn't want to be like them, you understand, but I'd like to be equal, if you will.
Interpretation
B.B. King expresses a feeling of awe towards renowned guitarists while conveying a desire for recognition as an equal.
In this quote, B.B. King reflects on his admiration for legendary guitarists like George Benson, Kenny Burrell, and Eric Clapton. He doesn't wish to emulate them exactly, but instead hopes for acknowledgment on the same level, which highlights both his humility and aspiration within the world of music. His words encapsulate the blend of respect for peers and the quest for personal validation in one's own artistic journey.
In practice
During a music workshop, this quote can inspire aspiring musicians to appreciate their own journey.
If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
I think the idea is now for blacks to write about the history of our music. It's time for that, because whites have been doing it all the time. It's time for us to do it ourselves and tell it like it is.
Some kids went to the movies for escape. We found it with jazz. This is where we got religion. It was a kind of raw spiritual anarchy.
I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.
My third day playing saxophone, I was in front of a congregation. I still didn't know the names of all the notes. I was playing by ear, following along, but it was such an encouraging environment, I couldn't fail. It was all, 'Yeah baby, you sound real good' no matter what you play. It was a great way to learn.
I think they saw me as something like a deliverer, a way out. My means of expression, my music, was a way in which a lot of people wished they could express themselves and couldn't.
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
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