The body says what words cannot.
Martha GrahamRead
Theater is a verb before it is a noun, an act before it is a place.
Interpretation
Theater is an action that embodies artistic expression before it is recognized as a physical space.
Martha Graham emphasizes that theater should be understood as a dynamic and active process rather than just a static institution. This perspective highlights the importance of performance, creativity, and the transformative power of the theatrical experience, underscoring that the essence of theater lies in the acts of creation and expression that precede any physical manifestation of it.
In practice
During a speech about the importance of the performing arts in education.
The body says what words cannot.
Nobody cares if you can't dance well.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
What people in the world think of you is really none of your business.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
The body is your instrument in dance, but your art is outside that creature, the body.
The distinction between a gallery and a museum is enormous. The gallery is about looking at a thing of beauty; the purpose of the activity is an aesthetic response. The museum is actually about the object that lets you get into somebody else's life.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
What makes art in general, and literature in particular, remarkable, what distinguishes them from life, is precisely that they abhor repetition. In everyday life, you can tell the same joke thrice and, thrice getting a laugh, become the life of the party. In art, though, this sort of conduct is called 'cliche.'
Jiro Ono serves Edo-style traditional sushi, the same 20 or 30 pieces he's been making his whole life, and he's still unsatisfied with the quality and every day wakes up and trains to make the best. And that is as close to a religious experience in food as one is likely to get.
The music industry is a matrix that is counter to what is natural and right.
I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
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