Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
Peter ShafferRead
There's so little representation of people who look like me behind the camera that it makes you want to say yes to any opportunity out of desperation. It puts you in a situation where you can't make your best work. Diversity for cheap.
Interpretation
The quote highlights the lack of representation in the film industry and its impact on creatives.
Lulu Wang's quote reflects the struggles faced by underrepresented individuals in the film industry, emphasizing that the scarcity of people from diverse backgrounds behind the camera often leads to a sense of desperation for opportunities. This lack of representation compromises the quality and authenticity of artistic work, suggesting that a tokenistic approach to diversity fails to honor the true depth of varied experiences and stories.
In practice
Using this quote in a panel discussion about diversity in the film industry.
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
My film is not a movie; it's not about Vietnam. It is Vietnam.
There's a half-conscious state you enter when you're actually generating prose, and you are simply a better writer in that place. In fact it's the only place where you even are a writer.
And the marvellous rose became crimson, like the rose of the eastern sky. Crimson was the girdle of petals, and crimson as a ruby was the heart
Go play with the towns you have built of blocks, The towns where you would have bound me! I sleep in my earth like a tired fox, And my bufdfalo have found me.
I was trained to be an actor, not a star.
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