If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Emma ThompsonRead
Itβs about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
Interpretation
This quote emphasizes the importance of representation in film, specifically for older women in action roles.
Emma Thompson's quote highlights a changing narrative in the film industry, advocating for diverse character representations, particularly for women over the age of 50. She expresses her desire to take initiative in creating stories that empower older female characters as heroines, showcasing strength and capability despite societal stereotypes about age and gender in action films.
In practice
This quote can inspire filmmakers to consider diverse stories during a panel discussion at a film festival.
If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.
Just write. It doesn't matter what you write. Just sit at your desk and write.
I think books are like people, in the sense that they'll turn up in your life when you most need them.
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise.
We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
You're only reduced to a cliche if you don't humanize a character.
When you have committed enough words to paper, you feel you have a spine stiff enough to stand up in the wind. But when you stop writing, you find that's all you are - a spine, a row of rattling vertebrae, dried out like an old quill pen.
I want to make clothes that people will wear, not styles that will make a big splash on the runway.
Food is about making an interaction with ingredients. If you talk to them, they will always tell you a story.
I write stories that are already in the air, and I think it's important to have the correct listening device to tune in to that frequency.
Fundamentally, I think of myself as a storyteller, not a writer.
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