It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
Emma ThompsonRead
If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Interpretation
Experiencing heartbreak is a common part of life, and it's important to acknowledge and process that pain.
In this quote, Emma Thompson reflects on the inevitability of heartbreak as we age and the emotional complexities that accompany it. She suggests that allowing ourselves to cry and confront our grief is a natural and necessary part of healing, emphasizing the importance of embracing our emotions rather than suppressing them.
In practice
In a speech about overcoming personal challenges, one might use this quote to illustrate the necessity of facing emotional pain.
It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.
Just write. It doesn't matter what you write. Just sit at your desk and write.
I think books are like people, in the sense that they'll turn up in your life when you most need them.
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise.
We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
He certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person.
It turns out that people who are more socially connected to family, to friends, to community, are happier, they're physically healthier, and they live longer than people who are less well connected.
Our relationship wasn't the sun, the moon, the stars, but it wasn't bullshit, either.
Often, though, the passivity of the woman's role weighs on me, suffocates me. Rather than wait for his pleasure, I would like to take it, to run wild. Is it that which pushes me into lesbianism? It terrifies me. Do women act thus? Does June go to Henry when she wants him? Does she mount him? Does she wait for him? He guides my inexperienced hands. It is like a forest fire, to be with him. New places of my body are aroused and burnt. He is incendiary. I leave him in an unquenchable fever.
In all our contacts it is probably the sense of being really needed and wanted which gives us the greatest satisfaction and creates the most lasting bond.
I think that even though some of the things on 'Humans of New York' are kind of very personal and very revealing, I think the discomfort with sharing that tends to be overwritten by the appreciation of being able to distill the experience of your life into a story and share it with other people.
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