By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't want to. I'd studied fiction, and I was committed to establishing myself as a fiction writer first.
Interpretation
The quote reflects the struggle between personal experience and creative identity, highlighting the difficulty of translating lived events into writing.
In this quote, Jesmyn Ward shares her internal conflict regarding writing about her own life experiences. Despite recognizing the significance of her story and feeling an inevitable pull towards writing a memoir, she initially resisted doing so because she was focused on her ambition to be recognized as a fiction writer. This struggle reveals the broader theme of reconciling personal history with artistic aspirations.
In practice
This quote can be used in a writing workshop to discuss the challenges authors face when deciding what to write about.
I always understood my ancestry, like that of so many others in the Gulf Coast, to be a tangle of African slaves, free men of color, French and Spanish immigrants, British colonists, Native Americans - but in what proportion, and what might that proportion tell me about who I thought I was?
In the South, there is more overt racism. It's more willfully ignorant and brazen. But it's not as if by moving I'm going to be able to escape institutionalized racism. It's not as though my life won't be twisted and impacted by racism anymore. It will.
The ugly heart of the South still beats with this idea that one group of people is worth less.
Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
With all the main characters that I write, it's always very important to me that they have good and bad aspects of their personality. It's important to me that they're complicated and that they're human.
Attack life, it's going to kill you anyway.
The wonder is that so many OCDs manage to live productive lives, just the same. They work, they eat (often not enough or too much, it's true), they go to the movies, they make love to their girlfriends and boyfriends, their wives and husbands... and all the time those birds are there, clinging to them and pecking away little bits of flesh.
Whatever I have tried to do in life, I have tried with all my heart to do it well; whatever I have devoted myself to, I have devoted myself completely; in great aims and in small I have always thoroughly been in earnest.
It really felt like my generation was deprived of a future that we believed was ours. I don't mean some hugely privileged future where we all have gigantic houses. I mean having a job.
You can't live the rest of your life carrying a pain because your parents couldn't get along. I choose to spend my life crafting a joy.
I wonder why I don't go to bed and go to sleep. But then it would be tomorrow, so I decide that no matter how tired, no matter how incoherent I am, I can skip on hour more of sleep and live.
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