And from that time on I bathed in the Poem Of the Sea, star-infused and churned into milk, Devouring the green azures; where, entranced in pallid flotsam, A dreaming drowned man sometimes goes down.
Arthur RimbaudRead
True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.
Interpretation
What this quote means
Creativity is fueled by our memories and experiences.
In this quote, Rimbaud emphasizes that true creative expression is deeply rooted in our personal memories and sensory experiences. Our ability to recall and interpret our past informs the way we create and innovate, suggesting that a rich inner life and awareness of the world are essential to artistic inspiration.
Themes
AlchemyMemorySensesCreativeInspiration
In practice
Example use cases
In a speech about the importance of art education, one could quote Rimbaud to highlight the connection between personal experience and creativity.
More from Arthur Rimbaud
All quotes →My wisdom is as spurned as chaos. What is my nothingness, compared to the amazement that awaits you?
Arthur RimbaudRead
In the great glasshouses streaming with condensation, the children in mourning-dress beheld marvels.
Arthur RimbaudRead
I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
Arthur RimbaudRead
Idle youth, enslaved to everything; by being too sensitive I have wasted my life.
Arthur RimbaudRead
What a life! True life is elsewhere. We are not in the world.
Arthur RimbaudRead
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To some extent I happily don't know what I'm doing. I feel that it's an artist's responsibility to trust that.
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In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
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I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.
Mario Vargas LlosaRead