A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
The wonderful thing about writing for theatre is you can go anywhere you want with the language. There are no limits. With film, they frown on language - it's always 'Too many words.'
Interpretation
Writing for theatre allows for limitless expression through language, unlike film, where dialogue is often curtailed.
This quote by Sam Shepard emphasizes the freedom and creativity inherent in writing for theatre. He contrasts it with the constraints often imposed in film, where an overabundance of language is discouraged. Theatre writers can explore their thoughts and emotions more freely through dialogue, unleashing their artistic vision without the limitations that filmmakers face regarding language.
In practice
This quote can be used in a workshop for aspiring playwrights to inspire them to embrace their creative freedom.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
It's not that I sit down and write great stuff without thinking, not at all. Most of it is terrible. But the stuff that feels fun and fresh to me tends to happen fairly unthinkingly.
This award is meaningful because it comes from my fellow dealers in celluloid.
To me, the great joy of writing is discovering. Most writers are told to write about what they know, but I still love the adventure of going out and reporting on things I don't know about.
Not what the mind sees, but what the mind imagines the eye must see.
Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I'm trying to say is I'm trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
The bright dawn flooded the room, and swept the fantastic shadows into dusky corners, where they lay shuddering.
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