Life is more important than architecture.
Oscar NiemeyerRead
My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."
Interpretation
Niemeyer emphasizes the importance of beauty and femininity in design over mere functionality.
This quote by Oscar Niemeyer suggests that the essence of his architectural work is rooted in aesthetics and emotional resonance rather than just practical utility. He advocates for a design philosophy where beauty and a feminine touch guide the creative process, allowing for a richer, more expressive interpretation of space and structure.
In practice
This quote can be used in an art class discussion about the philosophy of design.
Life is more important than architecture.
I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete... This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.
We need to feel that life is important; we need that fantasy so we can live a little better.
Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live.
When you have a large space to conquer, the curve is the natural solution.
I was attracted by the curve β the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.
The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
Music must awaken people to do their duty as citizens and act.
There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
Cinema is not a series of abstract ideas, but rather the phrasing of moments.
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