So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Rainer Werner FassbinderRead
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Interpretation
The influence of a filmmaker can permeate an artist's work, shaping their creative output.
This quote expresses how Rainer Werner Fassbinder acknowledges the profound impact that filmmaker Douglas Sirk has had on his own creative journey. By stating that Sirk has been present in everything he has done, Fassbinder highlights the way artistic inspiration can be derived from previous works, which inform an artist's perspective and style, transcending mere imitation to contribute to their unique expression.
In practice
During a film studies lecture, I referenced Fassbinder's quote to discuss how filmmakers influence one another.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.
It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
In the music business, we all do different things, but we sit there and admire other people who can write a song differently or sing differently. It's not so competitive.
I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.
Movement is expressive. I've never denied that. I don't think there's such a thing as abstract dance.
Of course, my interests and my focus change and become more diverse, more worldly. At the same time, I am interested in the simple basics, which is I love to dance and I love to make people dance.
Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
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